Eleanor Barr in Bunhill Fields.
Some persons of a scientific turn were once discoursing pompously, and, to him, distastefully, about the incredible distance of the planets, the length of time light takes to travel to earth, etc., when he burst out: 'It is false. I walked the other evening to the end of the earth, and touched the sky with my finger'; perhaps with a little covert sophistry, meaning that he thrust his stick out into space, and that, had he stood on the remotest star, he could do no more; the blue sky itself being but the limit of our bodily perceptions of the infinite which encompasses us. Scientific individuals would generally make him come out with something outrageous and unreasonable. For he had an indestructible animosity towards what, to his devout, old-world imagination, seemed the keen polar atmosphere of modern science. In society, once, a cultivated stranger, as a mark of polite attention, was showing him the first number of the Mechanic's Magazine. 'Ah, sir,' remarked Blake, with bland emphasis, 'these things we artists HATE!' The latter years of Blake's life was an era when universal homage was challenged for mechanical science – as for some new evangel; with a triumphant clamour on the part of superficial enthusiasts, which has since subsided.
From the Life of William Blake by Alexander Gilchrist, 1863. Reproduced in Pandaemonium by Humphrey Jennings
About Me
Tuesday, January 27, 2009
Saturday, January 24, 2009
Rock
A Little Lost on Hungry Hill, 21 January 2008
"If attempting a circuit of Comnagapple be very sure to stick to the broad West ridge as much as possible. The incredibly rough 'benches' of ribbed rock that define the Caha easily become a dispiriting maze and destroy any notion of distance measured 'as the crow flies'."
From http://mountainviews.ie
"If attempting a circuit of Comnagapple be very sure to stick to the broad West ridge as much as possible. The incredibly rough 'benches' of ribbed rock that define the Caha easily become a dispiriting maze and destroy any notion of distance measured 'as the crow flies'."
From http://mountainviews.ie
The Sea, Disasters
Friday, January 23, 2009
Shadow
Possibly a Courtesan on a Misty Morning, 21 January 2009
In the spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
The opening lines from The Pillow Book of Sei Shonagon, trans. Ivan Morris.
In the spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
The opening lines from The Pillow Book of Sei Shonagon, trans. Ivan Morris.
Wednesday, January 21, 2009
Disasters
Disasters series. All these little paintings are from a series made (more or less) on the 5th, 6th and 7th of October 2001 as the US began its invasion of Afghanistan. Most are approx. 190mm x 145mm (7.5 inches x 5.5 inches), a few are around 205mm x 145mm. All are acrylic on paper:
( SAUNDERS WATERFORD Mould-made, 100% cotton)
( SAUNDERS WATERFORD Mould-made, 100% cotton)
Tuesday, January 20, 2009
First Day
We went along with it:
Shannon airport and Irish airspace are being used on a daily basis by US warplanes, with the permission of the Irish Government, in contravention of international laws on neutrality, in spite of the Irish Governments claims that Ireland is still a neutral state. Monday July 28, 2008 21:22
Report by Edward Horgan
indymedia ireland www.indymedia.ie
Shannon airport and Irish airspace are being used on a daily basis by US warplanes, with the permission of the Irish Government, in contravention of international laws on neutrality, in spite of the Irish Governments claims that Ireland is still a neutral state. Monday July 28, 2008 21:22
Report by Edward Horgan
indymedia ireland www.indymedia.ie
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